by John Patrick Shanley
4 Online Performances Only!
Saturdays August 22 & 29 at 7pm
Sundays August 23 & 30 at 3pm
**Special encore performance:
Saturday, September 12 (all day)
Ten magnetic characters. Ten bizarre, explosive, and darkly humorous stories. This collection of monologues from the imagination of Pulitzer Prize–winning John Patrick Shanley (Doubt, The Portuguese Kid) delves into the allure of bad behavior and the absurdity of being human.
Warning: There is strong language in this show.
A link to the online performance is provided upon purchasing the ticket. Tickets for the encore performance may be purchased on September 12th and may be watched within 48 hours.
ROGUE'S GALLERY is directed by Walter Niejadlik and Gillen Brey and boasts an ensemble cast of talented local actors listed below.
UNKNOWN CALLER. “Where was the ring? I stared at the open box.” After a doomed proposal and a night of heavy drinking, a would-be fiancé wakes to a hangover and a missing engagement ring. A phone call from a stranger may hold the key to its whereabouts—and an opportunity for a fresh start. (Kris Mayeshiro)
DRIVE. “He looked at me like I was an unexpected problem, like the day had been going fine, and I ruined it.” A cabaret singer does not like the janitor at her club, and the feeling is mutual. As she struggles to find authenticity in her performances, a sudden event brings inspiration. (Nicole Unger)
GAUCHO. “He did not realize the kind of man I was, and that he was in danger.” An aggrieved descendant of the gauchos of Argentina seeks revenge on the man who seduced his wife. (Casper Collins)
ARTIFICIAL LEG. “Who leaves a leg?” A homeowner struggles to dispose of the prosthetic limb he discovered in the basement of his new townhouse. (Michael Kaczurak)
DITTO. “I’m scared to death.” A journalist becomes infatuated with a writer, leaving her fiancé behind and diving headfirst into a blissful romance. But when a friend reaches out with an unsettling discovery, she uncovers the strange truth about her new relationship—and herself. (Monica Johns)
THE ACUPUNCTURIST. “She was exceptionally good at finding pain.” A patient switches acupuncturists after their practitioner starts to believe he has magical powers. (Jake Taylor)
THE CLERICAL LINE. “It is not enough to foresee a fashion. One must have courage.” A wealthy bachelor collaborates with Burberry to create a wardrobe of priest’s clothing—a uniform he deems most reflective of his soul and status. (Jacob Moore)
I WAS RIGHT ABOUT EVERYTHING. “I’m the fascinating one. We both know that. I’m the one a movie star would want to play.” A Bronx food cart owner and teller of tall tales bides his time until the woman he loves realizes how exceptional he is. (Geo Nikols)
LOCKDOWN. “I hate him, but I can’t leave the puppy.” During a global epidemic, a quarantined woman slips away from her boyfriend to call her lover. (Gillen Brey)
THE CHOREOGRAPHER’S HAND. “The best way to get away with murder is don’t talk about it, and I never have.” In this longer piece, a pianist prone to visions unravels the curious sequence of events that pushed him to kill. (Glenn Heath)