ROGUE'S GALLERY is directed by Walter Niejadlik and Gillen Brey and boasts an ensemble cast of talented local actors listed below.

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UNKNOWN CALLER. “Where was the ring? I stared at the open box.” After a doomed proposal and a night of heavy drinking, a would-be fiancé wakes to a hangover and a missing engagement ring. A phone call from a stranger may hold the key to its whereabouts—and an opportunity for a fresh start. (Kris Mayeshiro)

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DRIVE. “He looked at me like I was an unexpected problem, like the day had been going fine, and I ruined it.” A cabaret singer does not like the janitor at her club, and the feeling is mutual. As she struggles to find authenticity in her performances, a sudden event brings inspiration. (Nicole Unger)

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GAUCHO. “He did not realize the kind of man I was, and that he was in danger.” An aggrieved descendant of the gauchos of Argentina seeks revenge on the man who seduced his wife. (Casper Collins)

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ARTIFICIAL LEG. “Who leaves a leg?” A homeowner struggles to dispose of the prosthetic limb he discovered in the basement of his new townhouse. (Michael Kaczurak)

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DITTO. “I’m scared to death.” A journalist becomes infatuated with a writer, leaving her fiancé behind and diving headfirst into a blissful romance. But when a friend reaches out with an unsettling discovery, she uncovers the strange truth about her new relationship—and herself. (Monica Johns)

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THE ACUPUNCTURIST. “She was exceptionally good at finding pain.” A patient switches acupuncturists after their practitioner starts to believe he has magical powers. (Jake Taylor)

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THE CLERICAL LINE. “It is not enough to foresee a fashion. One must have courage.” A wealthy bachelor collaborates with Burberry to create a wardrobe of priest’s clothing—a uniform he deems most reflective of his soul and status. (Jacob Moore)

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I WAS RIGHT ABOUT EVERYTHING. “I’m the fascinating one. We both know that. I’m the one a movie star would want to play.” A Bronx food cart owner and teller of tall tales bides his time until the woman he loves realizes how exceptional he is. (Geo Nikols)

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LOCKDOWN. “I hate him, but I can’t leave the puppy.” During a global epidemic, a quarantined woman slips away from her boyfriend to call her lover. (Gillen Brey)

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THE CHOREOGRAPHER’S HAND. “The best way to get away with murder is don’t talk about it, and I never have.” In this longer piece, a pianist prone to visions unravels the curious sequence of events that pushed him to kill. (Glenn Heath)